2004, Barbara Hall, " Bookwise: Questions," Sunday Times (UK), 4 Jul.142:We realize that all women are fair only in theory and that if we arranged them in the order of fairness we should have at one end the face that launched a thousand ships and at the other end the face that would stop a clock. 1927, "Editorial Comment: Thinking Statistically," Educational Research Bulletin, vol.5:He described the thug as a very ugly and wicked-looking man, with a face that "would stop a clock". 1891, "The Mystery Still Deep: Queer story told by a strange young Englishman," New York Times, 20 Mar., p.( idiomatic) A shockingly unattractive face.English Noun face that would stop a clock ( plural faces that would stop a clock) MTV bought another house and painted it pink for the contest.įace that would stop a clock Definition from Wiktionary, the free dictionary Mellencamp grew up in Indiana so must have been aware and wouldn't allow that to happen. I remember MTV running a contest at the time of this song's popularity where they gave away a pink house.the one they had selected was on a waste site in Indiana. The story of how he came to write Little Pink Houses is interesting. I think Mellencamp is a brilliant songwriter who writes about ordinary people and ordinary struggles. Follow him on Twitter and on Facebook at /PietLevyMJS.The phrase has both meanings, see below. Piet Levy talks about concerts, local music and more on "TAP'd In" with Jordan Lee, 8 a.m. "Authority Song" (with a bit of "Land of 1000 Dances") If you missed out on Mellencamp Friday or just want to experience the show again, he'll be at the Weidner Center for the Performing Arts in Green Bay on April 13.ġ7.Mellencamp also recalled lying with his bedridden grandmother as she passionately prayed that she and her grandson were "ready to come home." She lived to be 100, he said, but is still with him as his guardian angel. Mellencamp talked about a time when he sat down with his kids and started talking about his past when his son, 9 or 10 at the time, boldly proclaimed that none of them cared and walked out of the room. There were a couple funny family stories, too.The request was obliged - for the most part - but near the show's end Mellencamp had an awkward, shouted exchange with a fan on the floor, which ended when he suggested to the woman's date that she had been overserved. Early in the night, Mellencamp got some strong laughs and cheers when he asked the (expletives) in the crowd who liked to yell to step into the lobby during the night's quiet moments.To tweak a line from "Jack and Diane," it was clear to see Friday that for Mellencamp, the thrill of living isn't gone - not when there are still injustices in the world, and important songs left to make. "400 years and we still don't let it go." "Crosses burning, such a long time ago," he sang. In addition to the older stuff and other people's stuff, there was some new stuff, too, from 2017's "Sad Clowns & Hillbillies" - including a powerful political ballad, "Easy Target," inspired in part by the Black Lives Matter movement, that ended with Mellencamp taking a knee on stage Friday. The crowd boisterously sang along like the full rock band was swinging, but Mellencamp's simple approach offered sweeter support for the tale of two Heartland kids "suckin' on chili dogs outside the Tastee-Freez."Īnd in the middle of a breathless five-song run of hits near the end - including "Rain on the Scarecrow," "Paper in Fire," "Crumblin' Down" and "Pink Houses" - Mellencamp's "Authority Song" in particular took on a renegade spirit, with Dane Clark's explosive drumming, and Miriam Sturm's fierce fiddle work between jubilant dancing once the song briefly segued into a dynamite take of Wilson Pickett's "Land of 1000 Dances." Mellencamp also brought new energy to signature "Jack and Diane," which he performed alone with an acoustic guitar Friday.
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